viernes, 23 de mayo de 2008

Everyoned


Everyoned is an experimental group of sorts; it features some Chicago music-scene heavyweights from bands such as Pigface, Revolting Cocks, TVPow, Joan of Arc, The Owls, Town & Country and Central Falls- and that's just to name a few. The collaboration had been in the works for years- it seemed like everyone wanted to work with everyone else at some point and had been talking about it for years until they were finally all brought together in one space and began work.
Songwriting for Everyoned began in the spring of 2002, but labeling the creative process of Everyoned at the time as songwriting is perhaps something of a misnomer. Everyoned was a creative process that grew in fits and starts. Part of this had to do with the simple logistics of getting together: at any given time, as many as three of its members were recording or touring with one of their other bands. Another part of this process had to do with a deliberate move away from the structured, rehearsed song as each member had previously experienced it.
When the planets aligned and everyone was in the same place at the same time, the creative experimentation and sound of Everyoned grew like something akin to algae on a pond- patches would amorphously form here and there...these patches eventually grew and shifted around a bit, swallowing smaller patches until the entire surface had been transformed into some larger organism with a new identity. Listeners can identify the hand of each of Everyoned's members in little bits and pieces scattered about the record, but they would be hard pressed to claim that any of the members' sound or personality has risen to assume the identity of the record. Even something as identifiable as Chris Connelly's singing has been transformed into something perversely different.
Tim has said that when the song writing began, their approach was something that had become something counterintuitive to all of them. Instead of writing a finished piece of music and then deconstructing it (or piling on the layers) until it had become that original song in its finished form, Everyoned worked the other way around. They purposely intended to write write no more than 2/3rds of a song- insisting on an emphasis on improvisation in their performance to define the song. Ben has suggested that the driving, almost jazz-like pulse of the songs is a direct product of the nervous creative energy that went into filling in the blanks of these songs as the members performed them on the spot. The results are gorgeously lush constructions of delicate guitar harmonies, swimming bass lines, textures of strings and keyboard sounds and only the simplest percussion. Combined with Connelly's beautifully warbling voice, the songs impart a dark, delicately driving moodiness.
Everyoned was formed as a collaborative effort, each member bringing their particular flavors to a series of recorded performances inspired by the magnificent Astral Weeks by Van Morrison and in part, by Miles Davis' In A Silent Way. These records have a few things in common: they feature an impressive lineup of professional musicans- each musician established in his/her own right and enjoying his/her own respective career; these records were recorded over a very short period of time in just a few intense sessions, focusing on the live, collaborative performances of the musicians set around a predefined structure of songs they were to perform. As a result, these records have a presence which marks them as powerfully unique in the careers of their collaborators.


Everyoned
(2004)
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01. Class Shall Wake
02. Knife Audition
03. Friends of Mine
04. First to Know
05. Curtains
06. Dancer's Legs
07. Low End Flight
08. You Wear It Like Smoke
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Record Time: 40:34

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